Performing in a Variety of Venues
This resource is not so much an ACTivity as it is a list of common questions regarding performance venues.
What are the different styles of theatrical performance?
Proscenium: the most traditional performance venue where the audience faces the stage straight on.
3/4: common to many regional theaters, the stage is surrounded by audience on three sides
In-the-round: similar to boxing matches or other "arena" sports events, the stage is surrounded by audience on all sides
Thrust: a combination of Proscenium and 3/4 where the stage extends beyond the proscenium surrounded by audience on three sides.
What are locations, besides theaters, used for rehearsals/performances?
Auditoriums
Cafes
Churches
Community centers
Libraries
Outdoors: parks, campsites, etc.
School sites: classroom, hallways, cafetoriums, gyms, etc.
Streets
How do changes in venues affect the actors?
Actors are affected vocally (being heard) and physically (how they move and the placement of scenic elements). Whenever possible in rehearsal, the performance venue should be replicated.
How are microphones used effectively?
In general, actors should be taught to use their voices safely (projection)
and not to rely on electronic amplification. The exception to this is performing in an outdoor venue.
Because quality sound systems are expensive and require skilled technicians, relying on basic microphones and other types of general sound equipment only
increases the opportunities for distracting problems and snafus. Poor use of microphones keep an audience from knowing who is speaking or what is being
said. If microphones must be used, plenty of rehearsal time should be allowed so that the actors (and crew) become familiar with them. It is best to go with
area (general) mics rather than lavalier (individual) mics. The passing of hand-held mics between actors is very distracting and should be avoided.
What are some tips for performing outdoors?
Establish an "off stage" area for the actors through the use of curtains and/or screens.
Scenic elements should be limited to simple furnishings (stools, benches, etc.).
If using microphones, be aware of weather conditions. If there is wind, microphones should be outfitted with windscreens.
Actors should select a point toward the back of the performance venue and project their voices to that point.
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